( The Art of Star Trek, p. 167) The shuttles were excluded from the final version, though. ( The Making of Star Trek: The Motion Picture, interior colored photographs) Sketch test renderings of the cargo bay in different configurations were done by Andrew Probert, some of which featured long range shuttles. Matte paintings were also used to optically enlarge such areas as the air tram station in San Francisco and the Enterprise's cargo bay. The set was built without a ceiling, and the visible lighting necessary to film the scene was replaced by the matte painting in post-production. The ceiling of the recreation room in the scene where the ship's crew was assembled was also a matte painting. ( The Making of Star Trek: The Motion Picture, p. 212) For the director's cut of the film, these matte paintings were replaced by CGI digital mattes. The film's "wing walk" sequence involved a matte painting of the Enterprise's saucer section. ( The Making of Star Trek: The Motion Picture, p. 212) The latter was reused as stock footage in VOY: " Non Sequitur". ( The Making of Star Trek: The Motion Picture, p. 212) There were two particularly major examples of the matte paintings created for the film: as two backgrounds for planet Vulcan, which were combined with live-action footage filmed at Yellowstone National Park and Paramount's B Tank, (X) and a skyline for San Francisco, including Golden Gate Bridge and Starfleet Headquarters. Yuricich creating a matte painting of the air tram stationįor Star Trek: The Motion Picture, approximately one hundred matte paintings were used. TOS: " The Devil in the Dark", " The Gamesters of Triskelion" Films
#Matte painting & zbrush tutorials series
Star Trek: The Original Series matte paintings Similarly, the painting of the Delta-Vega Station inspired the cover of the magazine Galaxy from DS9: " Far Beyond the Stars". The matte paintings of Rigel VII, the Delta-Vega Station, Eminiar VII and the underground colony on Janus VI were all reused to depict other locations (namely, Holberg 917G, the Tantalus Colony on Tantalus V, Scalos and caves housing the Providers on Triskelion in the original versions of " Requiem for Methuselah", " Dagger of the Mind", " Wink of an Eye" and " The Gamesters of Triskelion", respectively). ( Star Trek: The Original Series 365, p. 329) Also, various matte paintings were created for Starbase 11 (for both " Court Martial" and " The Menagerie, Part I").
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